The Importance of Research
One of the things
that deter debut novelists is the thought of research. Do we write about what we know
or do we research our subjects?
My first novel, Under
the Pipal Tree (to be published) was fairly easy to research as it is set in
India, a place I grew up in. All I had to do was write about what I already knew and
then email friends and family about the current prices of things and certain brands. The rest I googled − for example, the location and relative distances between
places. I thought it would be like the great Jane Austen did, write about what
I know. However, I still worry about details. After all, I haven’t lived in
India for thirty years. Have things and attitudes changed beyond recognition? One
hopes that if the story is good enough to hold the reader’s attention then
minor slips would be tolerated.
Research is
invaluable to give the characters, their professions and the setting an
authentic feel. But, how far do we go to achieve this? Some writers weave all
their research into the story to the point where it overwhelms rather than
accentuates. If your character is a heart surgeon do you really want to depict
graphic details of a triple bypass? Off-putting.
Writing a novel is a
challenge in many ways. You can’t possibly have first-hand knowledge of
everything unless you’ve worked as an exotic dancer (maybe even a prostitute),
a policeman, a doctor, a civil servant and lived in all the places you are
writing about. Of course you can create your protagonist based on your
personal experiences but that can be limiting and have a memoir-feel.
Personally I love
writing about what I don’t know. It helps me to indulge in a flight of fantasy
and be all the people I’m not. But it’s hard to pull off, especially if you’re
writing about psychopaths. My next novel, ‘No Missed Call’ (a work in progress), is
about a man on the run after his wife’s body is found in the Manchester Ship
Canal. Having never worked in the police force or had the opportunity (or
misfortune) to meet a psychopath it is proving to be an interesting journey.
So far the books
bought on my Kindle look like I’m embarking on a career in crime.
Psychopath Clarence. T. Rivers
Talking with Serial
Killers Christopher Berry-Dee
The Criminal Mind Katherine
Ramsland
Without Conscience Robert.D.
Hare
The Serial Killers
Colin Watson
After reading the
above, I’ve decided to create my own version of a psycho-sociopath with some
elements of typical personality traits, not all, as that would make him too
real and perhaps make for grim reading..
On digesting the really
despicable, sickening deeds that some of these serial killers had committed and
enjoyed doing so, I couldn’t find it in my heart to fictionalize such actions,
thereby profiting from unnatural acts.
It is important to
strike a balance between what you believe would intrigue a reader and what you
can accept as being within the territory of entertainment.
In my research I have
accosted strange policemen, made friends with the police on Twitter but I draw
a line at contacting murderers to make my story real!
A work of fiction is
essentially research painted over with imagination.
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